Ephemerality, by nature, is a quality inherent in my work. I am interested in technology as an implementation into the potentials of artificial and collective intelligence, agency and individual perception. My work manifests through the specific use of tangible material as signifiers and my curiosity in the hacking (sub)culture. Flaws are purposefully embedded as a kernel and harnessed as a substance for transcendence. To that end, people have experienced such ephemerality at various events including: the DUMBO Arts Festival, the Hammer Museum with UCLA Game Lab, the Hong Kong - Shenzhen Biennale with Crisis Fronts, and SuperFront Gallery.
lives & work - New York & Los Angeles